I may be misunderstanding things but enlighten me here. You have my moral support. This is with the exception that you have exceedingly high traffic where it might be feasible but over a great deal of time and funding. I would be fine with this but only if it interested me aka some good animations i would rather pay than deal with the download sites. Neither as mini-encoding this can be called.
I am surprised you guys went full power convo on low-budget mosaic hentai, like srsly. The reason Sekai project is able to do so is because of crowdfunding and also the content they provide is a bit more extensive than 15-30minutes of adult content. As far as Erobeat is concerned you have, at multiple times, asked for money to purchase things with no problems and still continue to generate revenue via fileshare sites and your donation link. Their releases are mediocre at best. Not a mirror of nyaa 2.
Do you just want to get paid? Like, I want to read my business in a good reader program, not some shitty web-based thing. Hopefully things work out for ya. Go take their interview right now! One day, he finds a mysterious crystal in the office of his father, who is a scientist and businessman. Perhaps 1-2 titles of actual merit come out per month, if that. There is also the risk of content being blocked due to region restrictions.
The last release for Erobeat was 2 months ago and it was a single episode. If those guys on Kickstarter could make a Clannad localization happen, anything is possible. I would like it so you can buy a title and be able to download that title when ever you need too, just login to your account and download what you want from what you previously bought. Neither as mini-encoding this can be called. This is worse than a mini-encoding with debanding, halos and macro-blocking. . When Shun touches it, the world becomes distorted, and he is sent into the world of Endra.
We thought we could make money on these stuff using the Internet. Makoto dikirim ke rumah saudaranya yang berada di Soma. Take it as constructive criticism. Emilio, a prince of the kingdom of Endra, is nearing his 16th birthday and despises the reigning king, De. I already go to the source to support the industry. It really hard to believe they are attempting to get licensing when their site is horribly optimized for streaming content or visitation. Hrmmm the Olivia one was pretty hot I guess.
I might pay for individual episodes that I can download. This should be a decent release at its finest, especially when the alternative is getting no release at all. This is more about legitimizing. Petualangan Sinbad dari mendapatkan kekuatan sampai mengumpulkan teman akan. There are many fansubbers who have gone to work in the industry, but still contribute to the community.
Having to stream when you have a weak internet is a headache why I had to let go NetFlix streaming. Netflix and other all you can eat models have become extremely popular over the years. As you probably guessed from my hodgepodge of an attempt at translation, an elder sister is 'enslaved' by 'contract' to protect the rest of the family. If you've seen Hime Dorei or any of the Himekishi series, you've seen this one. With internet the way it is these days, having the items stored for your own browsing is the way to go. Each to their own though. Or is it some or all the above? Will you send out dmca takedown requests and such? However they are successful in generating revenue from the fact they already had strong traffic.
More specifically, are you willing to show your support for the industry? What you need is maximum exposure to discover that small crowd of profitable hardcore users. If nobody wants to pay, we may have to resort to crowd funding to target certain specific series. The problem is that they put out releases at a regular basis, every single month. I would be up for kickstarter or pay per episode. Kisah Sawada Tsunayoshi ini cukup menarik karena dibalik. So what are you waiting for? It will be a few years before digital distribution of media on the Internet can be monetized to an extent that necessitates content producers to forgo their fair value in more traditional media.